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<channel>
	<title>Avi Bohbot</title>
	<link>https://avibohbot.com</link>
	<description>Avi Bohbot</description>
	<pubDate>Thu, 01 Feb 2024 09:50:39 +0000</pubDate>
	<generator>https://avibohbot.com</generator>
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	<item>
		<title>Nijerusalem — Maman Sani &#38; Tropikal Camel</title>
				
		<link>https://avibohbot.com/Nijerusalem-Maman-Sani-Tropikal-Camel</link>

		<pubDate>Thu, 25 Jan 2024 19:03:30 +0000</pubDate>

		<dc:creator>Avi Bohbot</dc:creator>

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		<description>
	Mamman Sani &#38;amp; Tropikal Camel
NijerusalemRecord Design. Batov Records (UK), 2024



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Mamman Sani’s electronic organ music, first recorded in 1978, made him a national hero in Niger, led to him writing the Niger’s new national anthem, and has long been cherished by aficionados for its unique blend of traditional Nigerien melodies and synth experimentation. Mamman’s music embodies a sense of intimacy, echoing the presence of a solo artist in the room with the listener.
Both Mamman Sani and Tropikal Camel draw from rich and diverse cultural backgrounds, creating a dialogue of cultural exchange and mutual respect. Mamman’s heritage, with roots in the Hausa and Touareg tribes, intersects with Tropikal Camel’s North African and Arabic influences, informed by his own search for a lost Arab Jewish musical language, being an Israeli with roots in Morocco and Kurdistan.
🌮 Soon at&#38;nbsp;Batov Records

	



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	<item>
		<title>Yael Bartana — Bury Our Weapons, Not Our Bodies!</title>
				
		<link>https://avibohbot.com/Yael-Bartana-Bury-Our-Weapons-Not-Our-Bodies</link>

		<pubDate>Tue, 16 Jun 2020 11:22:47 +0000</pubDate>

		<dc:creator>Avi Bohbot</dc:creator>

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		<description>
	Yael Bartana: 
Bury Our Weapons, Not Our Bodies!&#38;nbsp;
Philadelphia Museum of Art, 2018. Curated by Amanda Sroka








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	Conceived by Yael Bartana, Bury Our Weapons, Not Our Bodies! is a public performance challenging systems of violence and displacement through a symbolic burial and a call to action. Forming a “living monument” to the end of violence, this performance includes a public procession, a burial of weapons (both literal and metaphorical), and a series of eulogies about war, peace, and democracy. Bringing together funerary tradition, military ritual, and personal testimony, Bury Our Weapons, Not Our Bodies! deepens the artist’s investigations of memory and national identity.A series of masks designed for the performance are in the center of the visual identity. They show human faces, but also grotesque masks, in the form of a shield. The starting point of the design was the appearance of the gas mask—a tool of protection and then it expanded into different forms. The masks are suggesting neo-tribalism movements while referencing the abstract masks created by the Bauhaus and Dada movements.
🍒 Collaboration with Gila Kaplan
	








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		<title>Shai  Ignatz — Shaul</title>
				
		<link>https://avibohbot.com/Shai-Ignatz-Shaul</link>

		<pubDate>Tue, 12 Apr 2022 07:17:41 +0000</pubDate>

		<dc:creator>Avi Bohbot</dc:creator>

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		<description>
	Shai  Ignatz: 
Shaul&#38;nbsp;
Book Design. Tel Aviv Museum of Art, 2022 
Hardcover, 16,8x25 cm, 342 pp. Edited by Raz Samira 









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	Shaul is an extensive trilingual book (English, Hebrew, and Arabic)—the first comprehensive publication delving into Shai Ignatz’s oeuvre—with more than 150 color images, as well as essays by photography scholar, Dr. Vered Maimon, and journalist and artist, Yotam Feldman. It was published in conjunction with Ignatz’s first museum-scale solo exhibition at Tel Aviv Museum of Art, spanning twenty years of intense photographic practice in stills and video.
🍒 Collaboration with Gila Kaplan


	










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	<item>
		<title>Eliyahu Fatal — Since Then, Measurements Have Begun</title>
				
		<link>https://avibohbot.com/Eliyahu-Fatal-Since-Then-Measurements-Have-Begun</link>

		<pubDate>Tue, 15 Mar 2022 10:23:45 +0000</pubDate>

		<dc:creator>Avi Bohbot</dc:creator>

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		<description>
	Eliyahu Fatal:
Since Then, Measurements Have Begun
Book Design. MoBY: Museum of Bat Yam, 2021
Soft Cover, 11,5×19 cm, 352 pp. Edited by Hila Cohen-Schneiderman









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	“A small book that asks to be carried in the back pocket of one’s jeans or jacket, to be thrown in a bag, to be read, growing tattered or stained. The book offers an extension of the exhibition as a live event, an agora which generates a visual or textual discussion at a particular moment. We tried to think of it not as a means of documenting the exhibition, but rather as its reactivation within a sphere in which one can browse through the pages. A sphere that allows for an intimate experience of observation and reading, and which takes into consideration the habit of observing images and texts on a cellular phone – the pocket resident of the present time.” (Hila Cohen-Schneiderman)&#38;nbsp;
🌚 Purchase at Sternthal Books

	














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</description>
		
	</item>
		
		
	<item>
		<title>Yael Bartana — The Book of Malka Germania</title>
				
		<link>https://avibohbot.com/Yael-Bartana-The-Book-of-Malka-Germania</link>

		<pubDate>Mon, 23 Aug 2021 14:55:30 +0000</pubDate>

		<dc:creator>Avi Bohbot</dc:creator>

		<guid isPermaLink="true">https://avibohbot.com/Yael-Bartana-The-Book-of-Malka-Germania</guid>

		<description>
Yael Bartana:
The Book of Malka GermaniaBook Design. DCV Books &#38;amp; Jewish Museum Berlin, 2022 
Hardcover, 24x34 cm, 200 pp. Edited by Shelley Harten &#38;amp; Gregor H. Lersch 



	








&#60;img width="2558" height="1407" width_o="2558" height_o="1407" data-src="https://freight.cargo.site/t/original/i/f2b1ecb17a7a270ddadc8c415166979b3011bf082ec484dadf943a90a7811401/YB_Cover_BB.jpg" data-mid="117140901" border="0"  src="https://freight.cargo.site/w/1000/i/f2b1ecb17a7a270ddadc8c415166979b3011bf082ec484dadf943a90a7811401/YB_Cover_BB.jpg" /&#62;










	The book follows the epiphany of Malka Germania, a female redeemer figure, in five chapters whose layout is modeled on that of the Talmud, the central text in Rabbinical Judaism. This organization reflects the polyphonic complexity, rich nuance, and ambivalence that the work casts into visuals and underscores that there is no simple answer. The book includes an interview with the artist and contributions by Sami Berdugo, Christina von Braun, Michael Brenner, Max Czollek, and others. It is published on occasion of the exhibition Yael Bartana—Redemption Now at the Jewish Museum Berlin. (Photos by DCV Books &#38;amp; Ariel Reichman)
🍒 Collaboration with Gila Kaplan



	















	&#60;img width="2500" height="1407" width_o="2500" height_o="1407" data-src="https://freight.cargo.site/t/original/i/4e9b3664ae77b56ad2f29c332b4d6c683b0c976794fcedc345091ce326f2a86e/DSC01268-2.jpg" data-mid="117140960" border="0"  src="https://freight.cargo.site/w/1000/i/4e9b3664ae77b56ad2f29c332b4d6c683b0c976794fcedc345091ce326f2a86e/DSC01268-2.jpg" /&#62;
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&#60;img width="2500" height="1407" width_o="2500" height_o="1407" data-src="https://freight.cargo.site/t/original/i/0c098bf74a3843ba39d30347318b892b95ad33b2a03bfd985ecd3349cc06140d/DSC012662.jpg" data-mid="117140962" border="0"  src="https://freight.cargo.site/w/1000/i/0c098bf74a3843ba39d30347318b892b95ad33b2a03bfd985ecd3349cc06140d/DSC012662.jpg" /&#62;&#60;img width="2421" height="1778" width_o="2421" height_o="1778" data-src="https://freight.cargo.site/t/original/i/405c2792691090da41068ee5433d3725b3a5afb77c6d02c9dd1c9940ead0bebe/y11.jpeg" data-mid="144141445" border="0"  src="https://freight.cargo.site/w/1000/i/405c2792691090da41068ee5433d3725b3a5afb77c6d02c9dd1c9940ead0bebe/y11.jpeg" /&#62;&#60;img width="2421" height="1778" width_o="2421" height_o="1778" data-src="https://freight.cargo.site/t/original/i/e7ebd4699107ece25ece67eb3a3a5477c8dadb2708c1b8db2075c02c43bda74d/y2.jpeg" data-mid="144141435" border="0"  src="https://freight.cargo.site/w/1000/i/e7ebd4699107ece25ece67eb3a3a5477c8dadb2708c1b8db2075c02c43bda74d/y2.jpeg" /&#62;&#60;img width="2421" height="1778" width_o="2421" height_o="1778" data-src="https://freight.cargo.site/t/original/i/7f7a3caab604330ae1663cd49a02057c53e54fbc52cff3b37b035bc1bf535794/y13.jpeg" data-mid="144141448" border="0"  src="https://freight.cargo.site/w/1000/i/7f7a3caab604330ae1663cd49a02057c53e54fbc52cff3b37b035bc1bf535794/y13.jpeg" /&#62;&#60;img width="2421" height="1778" width_o="2421" height_o="1778" data-src="https://freight.cargo.site/t/original/i/de1392d0ea8df1b0f3e6d73289dd907adcf24d03411f3006c06caecaa7117d21/y6.jpeg" data-mid="144141440" border="0"  src="https://freight.cargo.site/w/1000/i/de1392d0ea8df1b0f3e6d73289dd907adcf24d03411f3006c06caecaa7117d21/y6.jpeg" /&#62;
&#60;img width="2500" height="1407" width_o="2500" height_o="1407" data-src="https://freight.cargo.site/t/original/i/4071c7ddd11ff43eb1f50cb9d4b39c707367c8ac1a77ebe919deac4bc3356bce/DSC01271-2.jpg" data-mid="117140961" border="0"  src="https://freight.cargo.site/w/1000/i/4071c7ddd11ff43eb1f50cb9d4b39c707367c8ac1a77ebe919deac4bc3356bce/DSC01271-2.jpg" /&#62;



	
	

</description>
		
	</item>
		
		
	<item>
		<title>Ariel Efraim Ashbel and friends — The Omer Count</title>
				
		<link>https://avibohbot.com/Ariel-Efraim-Ashbel-and-friends-The-Omer-Count</link>

		<pubDate>Thu, 01 Feb 2024 09:50:39 +0000</pubDate>

		<dc:creator>Avi Bohbot</dc:creator>

		<guid isPermaLink="true">https://avibohbot.com/Ariel-Efraim-Ashbel-and-friends-The-Omer-Count</guid>

		<description>
	Ariel Efraim Ashbel and friends: 
The Omer Count&#38;nbsp;Visual identity, 2024
HAU, Grupius Bau, Berliner Enasamble, fsk kino, Sophiensäle





&#38;nbsp; &#38;nbsp; 








	





















The Omer Count is a 7 week program by Ariel Efraim Ashbel and friends, in collaboration with HAU Hebbel am Ufer, Sophiensaele, Gropius Bau and the Berliner Ensemble. Relating to the tradition of counting the 49 days between the two spring holidays Pessach and Shavu’ot, the series consists of different weekly events, in various formats. Expanding the understanding of Jewish traditions as contemporary, experimental Dramaturgies, the program includes performances, a talk, a concert, a dinner and several city walks. It opens with a Pessach dinner (aka the “Seder”) in Beba restaurant at Gropius Bau, and will conclude in a night-long performance at HAU Hebbel am Ufer, on the week of Shavu’ot.


🍒 Collaboration with Danielle Erenberg👉 www.theomercount.com





	



	
    
&#38;nbsp; &#38;nbsp; 


    

	&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/cce6b38ab980a638ad29aea49e05a7e6e42b2414742fdaa8c881661f30817635/10-163.jpg" data-mid="212432227" border="0"  src="https://freight.cargo.site/w/1000/i/cce6b38ab980a638ad29aea49e05a7e6e42b2414742fdaa8c881661f30817635/10-163.jpg" /&#62;&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/55e149d40995f5450c6c2779b2fa37747a01bb5343ed1f85082f9b0997fabe11/10-167.jpg" data-mid="212432232" border="0"  src="https://freight.cargo.site/w/1000/i/55e149d40995f5450c6c2779b2fa37747a01bb5343ed1f85082f9b0997fabe11/10-167.jpg" /&#62;
	&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/0257e2812c70c8fb9bae8049a58ac2433db2ea3be1a90ec1bdcd2349340a5f68/10-166.jpg" data-mid="212432231" border="0"  src="https://freight.cargo.site/w/1000/i/0257e2812c70c8fb9bae8049a58ac2433db2ea3be1a90ec1bdcd2349340a5f68/10-166.jpg" /&#62;&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/8b41b742c362f26518e59d2918b36751318950f201489c0443c78432a9b7d421/10-164.jpg" data-mid="212432228" border="0"  src="https://freight.cargo.site/w/1000/i/8b41b742c362f26518e59d2918b36751318950f201489c0443c78432a9b7d421/10-164.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Fink — The Lowswing Sessions</title>
				
		<link>https://avibohbot.com/Fink-The-Lowswing-Sessions</link>

		<pubDate>Wed, 15 Feb 2023 11:44:31 +0000</pubDate>

		<dc:creator>Avi Bohbot</dc:creator>

		<guid isPermaLink="true">https://avibohbot.com/Fink-The-Lowswing-Sessions</guid>

		<description>
	Fink:
The Lowswing Sessions
Record Design. Lowswings Records, 2023






	&#60;img width="1920" height="1272" width_o="1920" height_o="1272" data-src="https://freight.cargo.site/t/original/i/acc6ffd8a9c4ea81ea2ecf722a34e285fc4c94b60e0668212adf0ef8c0922f42/f1.jpg" data-mid="203705678" border="0"  src="https://freight.cargo.site/w/1000/i/acc6ffd8a9c4ea81ea2ecf722a34e285fc4c94b60e0668212adf0ef8c0922f42/f1.jpg" /&#62;





	










FINK is Fin Greenall, an English singer, songwriter and guitarist from London, currently based in Berlin. The album was made in a live session at the LowSwing Studio in Berlin, recorded and mixed to analogue tape, and then cut directly to vinyl, in an old-school process that involves no computers or AD/DA conversion. The album cover artwork and booklet 










features a documentation of the 2 days session in the studio, involving bass player Tim Lefebvre (David Bowie), drummer Earl Harvin (Tindersticks, Seal, Jeff Beck) and producer Guy Sternberg.
🍒 Collaboration with Gila Kaplan🌮 Purchase at&#38;nbsp;Lowswing Records

	



	&#60;img width="1200" height="750" width_o="1200" height_o="750" data-src="https://freight.cargo.site/t/original/i/8c4dd3fbfbf93b1ca1a4912db4732c615dfc5f3d6a62d759fbfde84e4254f47d/fka.gif" data-mid="203706961" border="0"  src="https://freight.cargo.site/w/1000/i/8c4dd3fbfbf93b1ca1a4912db4732c615dfc5f3d6a62d759fbfde84e4254f47d/fka.gif" /&#62;
	&#60;img width="1200" height="750" width_o="1200" height_o="750" data-src="https://freight.cargo.site/t/original/i/1be38dfee8c13e016cb84bcc3652b294bf9065e0c8e494129e66a58029dacd21/fkbd.gif" data-mid="203709004" border="0"  src="https://freight.cargo.site/w/1000/i/1be38dfee8c13e016cb84bcc3652b294bf9065e0c8e494129e66a58029dacd21/fkbd.gif" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Stimmen in Schichten</title>
				
		<link>https://avibohbot.com/Stimmen-in-Schichten</link>

		<pubDate>Tue, 29 Jun 2021 10:10:25 +0000</pubDate>

		<dc:creator>Avi Bohbot</dc:creator>

		<guid isPermaLink="true">https://avibohbot.com/Stimmen-in-Schichten</guid>

		<description>
	Stimmen in Schichten:
Eine Klang Typologie JerusalemsVisual Identity. Galerie Oscar e.V. Weltecho, Chemnitz, 2021







&#60;img width="3200" height="2133" width_o="3200" height_o="2133" data-src="https://freight.cargo.site/t/original/i/1e3b7118ee542b202e884c2e1efe23fddc07da49395040a56af4cbcd18627ecb/sis.jpg" data-mid="146609948" border="0"  src="https://freight.cargo.site/w/1000/i/1e3b7118ee542b202e884c2e1efe23fddc07da49395040a56af4cbcd18627ecb/sis.jpg" /&#62;




	A sound installation by Inon Peres, Lior Pinsky, and Amir Bolzman, reflecting the “cacophonic” aesthetics of contemporary urban Jerusalem, where private space and social distance is very uncommon. Together with the sound installation, the project showcases a series of concert with artists coming from Jerusalem.


	






	

	&#60;img width="3200" height="2240" width_o="3200" height_o="2240" data-src="https://freight.cargo.site/t/original/i/fbbb66859fa22e2ee1ce43e278ce8bb21c11b7e74f96897f6509c93f7a7acd5e/Stimmen_a.jpg" data-mid="136198905" border="0"  src="https://freight.cargo.site/w/1000/i/fbbb66859fa22e2ee1ce43e278ce8bb21c11b7e74f96897f6509c93f7a7acd5e/Stimmen_a.jpg" /&#62;




	&#60;img width="2778" height="2778" width_o="2778" height_o="2778" data-src="https://freight.cargo.site/t/original/i/cbf84011414fed95e520a694c40b4487c0d997492822dcc2b44f593ebf7e1e97/Untitled-3.png" data-mid="136199209" border="0"  src="https://freight.cargo.site/w/1000/i/cbf84011414fed95e520a694c40b4487c0d997492822dcc2b44f593ebf7e1e97/Untitled-3.png" /&#62;

	&#60;img width="2778" height="2778" width_o="2778" height_o="2778" data-src="https://freight.cargo.site/t/original/i/81981374ad42d438610063e78fbdccbe28f9a8c600be3e88c8cf202630bc62be/Untitled-32.png" data-mid="136199210" border="0"  src="https://freight.cargo.site/w/1000/i/81981374ad42d438610063e78fbdccbe28f9a8c600be3e88c8cf202630bc62be/Untitled-32.png" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Eitan Ben Moshe — Albino Heart</title>
				
		<link>https://avibohbot.com/Eitan-Ben-Moshe-Albino-Heart</link>

		<pubDate>Fri, 09 Sep 2022 09:13:16 +0000</pubDate>

		<dc:creator>Avi Bohbot</dc:creator>

		<guid isPermaLink="true">https://avibohbot.com/Eitan-Ben-Moshe-Albino-Heart</guid>

		<description>
	Eitan Ben Moshe:
Albino HeartBook Design. Sternthal Books, 2022Hardcover, 16,5x25 cm, 192 pp.







&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8436a7462a18f87467eed271efd87a726ab51ee7e2e36807b733da2e6203e4ed/EitanBM13-min.jpeg" data-mid="152471230" border="0"  src="https://freight.cargo.site/w/1000/i/8436a7462a18f87467eed271efd87a726ab51ee7e2e36807b733da2e6203e4ed/EitanBM13-min.jpeg" /&#62;






	










Albino Heart is an artist book by Eitan Ben Moshe which presents light boxes, wall reliefs, and Blossom sculptures. The first half of the book is in Black and White, showing us a ‘whitened world’, as if the world had been overtaken by ice, the sculptures appear as the wreckage of civilization made of abandoned and broken objects, as if after a cataclysmic event of apocalyptic dimensions. The second part of the book is in color, with the curatorial texts in the middle of the edition.
In certain regions in Africa, especially in Tanzania and Nigeria, albinos are persecuted because of the superstition that they are bewitched. In some cultures in West Africa, albinos’ eyes, which are very sensitive to sunlight, are believed to have prophetic abilities and extrasensory perception. The book’s title, as well as the exhibited works, allude to Zen-like parables (koans), having elusive and sometimes contradictory meanings.



🌝 Photography by Liat Elbling

🌚 Purchase at&#38;nbsp;Sternthal Books


	










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		<title>Adam Tsair Magazine</title>
				
		<link>https://avibohbot.com/Adam-Tsair-Magazine</link>

		<pubDate>Thu, 25 Jan 2024 19:12:00 +0000</pubDate>

		<dc:creator>Avi Bohbot</dc:creator>

		<guid isPermaLink="true">https://avibohbot.com/Adam-Tsair-Magazine</guid>

		<description>
	Adam Tsair Magazine&#38;nbsp;
Kids Magazine Design. Adam olam Publications, 2023











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New visual identity, logo and layout design for Adam Tsait (“Young Man” in Hebrew), an Israeli magazine for kids. The new logo combines Cursive and Block type (San-Serif), that sets the tone for a playful layout, featuring different key illustratiors for each issue. Ongoing Adam Tsair designer: Gila Kaplan.


🍒 Collaboration with Gila Kaplan
🍦 Subscribe now [Hebrew]







	










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